Appearance now opens on Themes: light and dark side by side, each
remembering its own choice, over galleries of ten shipped themes —
Tokyo Moon and Day joined by Moon Rose, Catppuccin, Nord, Gruvbox and
Everforest in both modes. A theme is a complete palette: the catalog
lives in themes.json, Theme.qml reads every color token from the
active record, and one render pipeline carries it to kitty, tmux,
btop, GTK, Vicinae, Firefox's chrome, and the lock screen. The Theme
editor builds new ones from four wells — wheel, hex, or eyedropper —
with derived surfaces, a saturation slider, debounced fine-tune, and
effects that save with the theme. Custom edits finally keep GNOME's
accent, kitty's border, and hyprlock in sync.
Wallpapers can be video: mpvpaper per output, hardware-decoded, muted
and looped, supervised and respawned. Panama owns the pausing — games,
battery, and a bar pill for right now — because the compositor
rebuilds full-screen blur for every frame a video wallpaper draws.
The lock screen gets a still frame.
Titlebars stop lying. GNOME apps get close-only on your chosen side,
the maximize and double-click settings are gone, the Settings window
obeys the same rules, and its titlebar can be turned off entirely.
Typography becomes five labeled dropdowns instead of a wall of
samples.
Contracts updated and written throughout (165 now); per the redesign
workflow none were executed — the full sweep runs once at the end.
Claude-Session: https://claude.ai/code/session_01Ms2FbjQy31TVf3CEvQhGM8
Theme.qml was the largest remaining thing in this desktop that could
only be changed by editing a file, and typeface is the first thing
someone changes when they want a desktop to feel like theirs. Interface
font, icon font, and the base text size are settings now.
The two font choices are deliberately separate lists. Theme.fontMono is
used only to draw glyphs -- workspace pills, the status cluster, search
icons -- so a plain monospace family there replaces every icon in the
shell with tofu. The picker offers only Nerd Fonts for that slot and
says why.
Candidates are rendered in the family they name. A list of font names
set in the current font tells you nothing about what you are choosing.
The four type sizes derive from the base rather than being stored
separately, so the relationship between body, caption, heading and title
survives a change instead of four numbers drifting apart.
hypr/looks.lua reads the same key. Following the preference only on the
QML side would leave the compositor and the shell disagreeing about the
interface font, which nobody notices until a tooltip renders in a
different typeface.
Only a family this machine reports is accepted: the value reaches
hl.config as a string, and a settings file moved between machines will
name fonts that are not installed. A missing family is reported rather
than silently substituted by fontconfig.
Also collapses the wallpaper grid to two rows. Sixty tiles is two
screens of pictures on a page that also holds typography, window
geometry and effects -- everything below it was unreachable without
scrolling past all of them.
Claude-Session: https://claude.ai/code/session_01BRvzt4H8XXLPVH5MyYdk9L
Gabriel Brown