Gabriel Brown
27af4fd443
Two more applications that keep their own palette and so never followed the desktop. btop was on "Default" and had never been themed at all; tmux had Tokyo Night Moon hardcoded across seventeen lines, which meant a dark status bar sitting under a light terminal in light mode. Both themes are authored rather than borrowed. btop ships a "tokyo-night" theme, but it is the Night variant (#1a1b26) where the rest of this desktop is Moon (#222436), and two Tokyo Nights side by side read as a mistake; it ships no Tokyo Night light theme at all. Colours come from kitty's theme files so a terminal and what runs inside it cannot disagree. tmux follows kitty's shape: the colours move to themes/, tmux.conf sources a generated current-theme.conf, and running servers are re-sourced so an open session changes immediately rather than at next launch. btop is different -- it OWNS btop.conf and rewrites it on exit, so only the color_theme line is edited in place and the file is not symlinked into the repository. btop reads its theme once at startup, so a running instance keeps the old colours; forcing a restart would kill a process the user is watching. The tmux light theme took two passes. Mapping the palette role-for-role put the standard Day accents on a mid-grey panel at 2.74:1 and 2.94:1 -- under the 3:1 floor, on a bar you read at a glance. It now uses Day's darker accent variants on a lighter panel: 4.42:1 and 4.17:1, and 5.01:1 / 4.73:1 for the light text inside the inverted blocks. The helper also now reports every target rather than only kitty. Saying "kitty: applied" while silently skipping three other applications is how a half-applied theme goes unnoticed. Not changed: bat is configured with --theme ansi, which follows the terminal's own palette, so it already tracks kitty with nothing to do. Claude-Session: https://claude.ai/code/session_01BRvzt4H8XXLPVH5MyYdk9L
31 lines
1.7 KiB
Plaintext
31 lines
1.7 KiB
Plaintext
# Tokyo Night Day for tmux -- the light counterpart to tokyonight-moon.conf.
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#
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# Same structure, same roles, Day's palette. Mapped role for role rather than by
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# hue: #1b1d2b was text drawn ON an accent block, so it becomes the LIGHT ground
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# rather than a dark colour, or the status bar would be dark text on a dark
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# accent in light mode.
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#
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# The accents are Day's DARKER variants, not its standard ones. Measured against
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# the panel, the standard #2e7de9 and #9854f1 give 2.74:1 and 2.94:1 -- under
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# the 3:1 floor for text. These give 4.42:1 and 4.17:1, and 5.01:1 / 4.73:1 for
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# the light text drawn on top of them in the inverted blocks.
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set -g mode-style "fg=#1c5bb8,bg=#d0d5e3"
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set -g message-style "fg=#1c5bb8,bg=#d0d5e3"
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set -g message-command-style "fg=#1c5bb8,bg=#d0d5e3"
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set -g pane-border-style "fg=#1c5bb8"
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set -g pane-active-border-style "fg=#7847bd"
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set -g status-style "fg=#7847bd,bg=#d0d5e3"
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set -g status-bg "#e1e2e7"
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set -g status-left "#[fg=#e1e2e7,bg=#7847bd,bold] #S #[fg=#e1e2e7,bg=#7847bd,nobold,nounderscore,noitalics]"
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set -g status-right "#[fg=#e1e2e7,bg=#1c5bb8,nobold,nounderscore,noitalics]#[fg=#7847bd,bg=#d0d5e3] #{prefix_highlight} #[fg=#d0d5e3,bg=#d0d5e3]#[fg=#7847bd,bg=#d0d5e3] %Y/%m/%d %I:%M %p #[fg=#1c5bb8,bg=#d0d5e3,nobold,nounderscore,noitalics]#[fg=#e1e2e7,bg=#7847bd,bold,italics] #h "
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setw -g window-status-format "#[fg=#e1e2e7,bg=#d0d5e3,nobold,nounderscore,noitalics]#[fg=#1c5bb8,bg=#d0d5e3] #I #W #F #[fg=#e1e2e7,bg=#d0d5e3,nobold,nounderscore,noitalics]"
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setw -g window-status-current-format "#[fg=#e1e2e7,bg=#d0d5e3,nobold,nounderscore,noitalics]#[fg=#7847bd,bg=#d0d5e3,bold] #I #W #F #[fg=#d0d5e3,bg=#d0d5e3,nobold,nounderscore,noitalics]"
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setw -g window-status-separator ""
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